Biting Season: Notes On A Northern Plague

Autumn and its gales may be here (rejoice!), but I’m sharing this post regardless. I started writing about mosquitoes in September, but glanced away from the page, and October blew in. You know how it is, I’m sure.  

A few years ago, I was celebrating Midsummer with family in Sweden. The weather was impeccable, the midsommarstång inspiring to behold, and the mosquitoes, for whatever reason (no repellent involved – I’d forgotten it), keeping a wide berth.

Well, keeping a wide berth from me. I was the only one not being savaged by summer’s least welcome players. My partner at the time – a man of Icelandic stock – was plagued worse than everyone and carries the scars to prove it.

Intriguingly, it may have been an odour in my sweat that was keeping them at bay. This lucky break was an isolated incident, though, as typically I’m swarmed and left with archipelagos of bites which swell to memorable heights.

Legit mosquito sign in Finland. (Wikipedia.)

It’s a little awkward to admit that I typically try to “shoo” mosquitoes away. On the occasion I’ve been beset with rage by their assaults and have slapped them to death, I’ve felt horrible. It’s difficult to reason with yourself when your neurodivergent empathy extends to biting insects. I may have felt differently had I been in Lapland, where mosquito swarms are biblical. I read a comment on Reddit about a couple getting out of their car, only to immediately dart back inside after spotting a fast-approaching mosquito cloud.

It’s not unusual for animals to spend so much time trying to escape mosquitoes that eating becomes impossible, and they starve to death. They can also die from blood loss – a swarm can take as much as 300 ml of blood from a single caribou in a one day.

‘Smoking fire near the cows to keep off mosquitoes and other insects while the cows were milked.’
Eero Järnefelt (1891)

I’m familiar with summer in the Nordics for the most part, but I’ve only recently learned that there are 50-60 species of mosquitoes in the Nordic countries alone. (Imagine how flabbergasted I was to discover over 3,000 species of mosquitoes exist worldwide.) I was also late to learn that it’s only female mosquitoes that feed on blood, while males feed exclusively on nectar.

Any standing water – from a puddle to a gutter to a tyre track –  can host a breeding ground and then a nursery for developing larvae. Iceland’s lack of standing water is one reason mosquitoes haven’t managed to get a foothold.

…as I made my way round their boggy breeding grounds they rose up to meet me in dark, swirling clouds, insinuating themselves in my clothes, choking my mouth and smothering every inch of my skin in bites. As I  saw my hands beginning to swell, I ruefully consoled myself with the thought that at least I would not contract malaria, because my tormenters belonged to the genus Aedes which, happily, are not carriers of the disease.”

Walter Marsden, Lapland: The World’s Wild Places

*Soon after reading this – bear in mind Lapland was published in 1975 – I found out that mosquito-borne diseases such as malaria are spreading across Europe due to the climate crisis.

Early explorers of the North described mosquitoes as ‘worse than the cold,’ and ‘the one serious drawback of the north.’ I’m surely not the only one who relishes the vision of fumbling English gentry being set upon by mosquitoes, which have also been called ‘a frightful curse,’ as well as, quite fabulously, ‘…devils…armed with a lancet and a blood-pump…’    

“In the summertime in Iqaluit, the capital city of the Inuit-administered Canadian territory of Nunavut, swarms of insects hover above the inhabitants like cartoonish clouds of gloom as they go about their day-to-day lives.

Kate Press, Briarpatch Magazine

Igah Hainnu Mosquito (2016) Muskox horn, seal whiskers and seal claws 

Many indigenous peoples of the Arctic viewed mosquitoes as something sent to ‘test endurance.’ For the Sámi, enduring harassment from mosquitoes was a way of proving hardiness. Young herders and hunters were expected to tolerate swarms during migration and calving season without excessive complaint. Jonna Jinton, an artist living in northern Sweden, endures the biting plague with humour, as demonstrated in this tongue-in-cheek mosquito meditation video.

In the Swedish town of Övertorneå, the community hosts the World Championship in Mosquito Catching, where the winner is the person who catches the most mosquitoes in just fifteen minutes, earning a cash prize and being crowned world champion.   

In Finland, one of the Nordic countries I’ve yet to visit, these micro-predators have their own signs, and there’s a history of ‘mosquito bravado.’ Especially among the likes of fishermen and loggers who work amidst clouds of mosquitoes.

“We were breathing hard now, sweating in the afternoon haze and mobbed by a few thousand mosquitos each. Every square inch of exposed skin was smeared with Vietnam-issue jungle juice, stuff that dissolves plastic buttons and burns like acid in your eyes. It kept the actual blood loss down to a level that didn’t threaten death, but that wasn’t the real problem. It was the psychological warfare, airborne water torture. You felt the constant patter, and knew that your back was crawling with living grey fur, hundreds of relentless snouts probing for a chink in your armour. A hand wiped down a sleeve would come away sticky, smeared with corpses, and you strained them through your teeth.”

Nick Jans, The Last Light Breaking: Living Among Alaska’s Inupiat Eskimos

In the 1970s, the Inuk community leader Abe Opic wrote an essay called What it means to Be an Eskimo, where he, justifiably, compared white people to mosquitoes: “There are only very few Eskimos but millions of whites, just like the mosquitos. It is something very special and wonderful to be an Eskimo – they are like snow geese. If an Eskimo forgets his language and Eskimo ways, he will be nothing but just another mosquito.”

Michael Massie The Endurance Game, 2016, serpentinite, bone, birch, ebony and brass

The Inuit have several stories about how mosquitoes came to be. The one you’re about to read was told to the Greenlandic/Danish explorer Knud Rasmussmun by Inugpasugjuk, a member of the Nattilingmiut Inuit community.

There was once a village where the people were dying of starvation. At last there were only two women left alive, and they managed to exist by eating each other’s lice. When all the rest were dead, they left their village and tried to save their lives. They reached the dwellings of men, and told how they had kept themselves alive simply by eating lice. But no one in that village would believe what they said, thinking rather that they must have lived on the dead bodies of their neighbours. And thinking this to be the case, they killed the two women. They killed them and cut them open to see what was inside them; and lo, not a single scrap of human flesh was there in the stomachs; they were full of lice. But now all the lice suddenly came to life, and this time they had wings, and flew out of the bellies of the dead women and darkened the sky. Thus mosquitoes first came.

If you do head to the far North, where the waters lie still and light lingers long into the night, wear long-sleeved shirts (doubling up is advised), socks, and trousers made from dense material. Wear a head net if you have access to one and remember that repellent loses its effectiveness when you begin to sweat. If you think you can escape them by going a bit further North, I should warn you that these blighters are now appearing in places where it was once too cold for them, which is, to put it lightly, worrying as fuck. We all know the North is warming, but the migration of mosquitoes makes it ever more painfully real.

I don’t want to abandon this post without attempting to lighten the mood (for you and me), so if you’re interested in seeing what it’s like to sit in a Finnish forest during summer, this gentleman can show you.

Sources

Inuit Art Foundation

Atlas Obscura (If you want to know about the mosquito catching championship.)

Nunatsiaq News (Observations from Inuit about mosquitoes, including the story featured in this post.)

The featured image was taken by Samuli Paulaharju in 1937.

Forests Bring Out The Best In Me

I regularly feel the need to downplay my delight about things that excite me, because, unrestrained, my enthusiasm can make people feel overwhelmed and awkward, especially if they’re mostly familiar with my depressed state.

It’s a good thing, then, that when I’m forest wandering, I’m almost always alone because forests bring out the best in me, especially forests in Sweden, which are heavily occupied with boulders.

Encountering boulders on my wanderings is always an ecstatic experience, and I can recall most of my meetings with remnants of ancient bedrock (or petrified trolls, as I’d prefer to believe) with gut-glass clarity. I have memories of wildly circling my Swedish ex like a border collie pup, tugging at his clothes and begging him to come to the woods and see the boulders I’d found on my daily hikes.

I glimpsed this boulder through the trees, and to reach it, needed to stray from the path, which I happily did. I rarely stay on any footpath for long anyway. The bliss I experienced in the presence of this, let’s admit, very beautiful rock, was something I wish I could bottle and give to people who don’t experience life as a highly sensitive neurodivergent wyrdo who gets blissed out by boulders.

Sweden was heavily glaciated in the last Ice Age, and the boulders – official title: glacial erratics* – were swept up during the advance/retreat of the glaciers and deposited where they currently sit. I don’t think this will ever cease to boggle my mind. I know I’ll probably be wondering forever about this boulder’s tale and its migration to where I found it in a serene, sun-dappled forest glade in the north.

*You may be as nerdishly thrilled as I to know that the word erratics comes from the Latin word errare, which means ‘to wander.’

A Delightfully Diabolical Church Ceiling At Borås Museum

I recently visited Borås Museum with a friend, but due to missed buses and a long overdue catch-up (seven years overdue) in the museum café, we had only minutes to zip around before it closed.

My friend was especially eager to look inside Ramnakyrken. This quint red church had originally stood in Kinnarumma, a village about 15 kilometres from Borås. It was dismantled in 1912 and rebuilt in its current location in 1914. However, our time was up, and the church doors had been locked. An especially considerate museum employee took pity on us and offered to open the church, which she did with a key so gigantic I was, for a moment, convinced it was fake.

While the church was interesting, I kept my camera switched off, that was until we were making our way back out and I looked up. There was only time to snap a few shots of impressively vibrant demons before ducking back outside.  

The ceiling was originally painted, with lesser diabolical depictions, in 1706 by Nicklas Berg. It was painted over (rude) between 1752 and 1753 by a man called Ditlof Ross, though you can still make out ‘echoes’ of Berg’s original work. The ceiling was whitewashed in 1869-70 during a restoration (I’d love to know who ordered that job); however, in 1930, when the church was re-consecrated due to a need for additional church spaces in Borås, the paintings were uncovered and restored. It’s been a popular church for weddings and baptisms ever since. Are you also wondering how many children have been traumatised over the years by innocently looking upwards and making eye contact with these decorative servants of Satan?

I Found An 81 Year Old Fairy Shepherd In Sweden

I first encountered the work of Swedish artist John Bauer as a kid. I attended a Waldorf school and was immersed in books and art inspired by Nordic nature and the folkloric beings inhabiting the landscape. A quick scan on Google suggests it may have been In The Troll Wood that snagged my ever-roving attention.

It was through discovering the music of Mortiis in 2001 that I was reintroduced to Bauer’s art. I’ve been chasing the company of shadowed pines, trolls and moose ever since. Some years ago, I wrote a piece for the website Routes North following a second pilgrimage to Bauer’s home city of Jönköping and the Jönköping Läns Museum, which houses the world’s largest collection of Bauer’s art.

Since 1995, Mortiis has used Bauer’s iconic ouroboros-inspired illustration, which first featured in Bland tomtar och troll (Among Gnomes and Trolls), a children’s anthology of stories and illustrations, in 1915. However, instead of depicting a serpent consuming its tail, Bauer’s serpent is caught in mid-attack of a sword-wielding elven knight. Mortiis has modified Bauer’s illustration throughout the years, coinciding with the eras of his music.

Mortiis has also utilised several of Bauer’s artworks for album and EP covers; for instance, the 1995 album Keiser av en dimensjon ukjent features the piece Brother Saint Martin and the Three Trolls, and the 1996 EP Stjernefødt features the artwork Guldnyckeln.

In an interview with Bardo Methodology, Mortiis explained that he didn’t know about Bauer’s art until he randomly discovered it in a Red Cross shop in Sweden. He managed to buy several framed paintings for a few euros each. I was dead set on getting the ouroboros as my first tattoo in 2007, in homage to Bauer and Mortiis. It wouldn’t be long until I regretted it though – the intricate details haven’t aged well, and the ‘great idea’ to incorporate bats into the design was an epic fail on my part.

As someone deeply influenced by Bauer’s work, you can imagine how elated I was to find this painstakingly carved wooden art piece inspired by Bauer’s 1910 painting Vill Vallareman (A Fairy Shepherd) at an Airbnb I was staying at in Sweden.

When I was taking the recycling down to the bin on my final day, I saw the house owner, Maria, and asked her about the origin of the 81-year-old carving. If I’m remembering right, she said her uncle was the creator. She asked me, in an almost surprised tone, if I liked the carving. I told her I loved it. Casually and without pause, she said I could have it. Reader, my knees almost buckled.

I swaddled Vill Vallareman effter John Bauer like a newborn, checking on it repeatedly during my journey back to the UK, petrified it would get cracked or chipped. Blessedly, it made it back in one piece, and while I have more questions about it and its creator than I know what to do with, I’m grateful (though remain in disbelief) it’s with me. I live with the hope it’s not long until I can swaddle it up again and take it back across the sea to a forever home in a forest perhaps not too great a distance from those Bauer once wandered.  

In The Forest I Was Never Lost

I had a beautiful comment left on my last post by a reader called Eivor, who wrote that what I’d said about the forests in Sweden resonated and that trees boost their mood and give them hope. They said they were always struck by how much they missed the trees when they were away from them, something I’m feeling ever more intensely myself these days when all I want to do is be forest wandering from sun up to sun down.

Eivor’s comment made me think of when I was living in Sweden and how lost I’d have been without the forest. I had little clue about anything when I wasn’t among the trees. I was the epitome of anxiety. In the forest, though, rambling, scrambling, slipping amidst the moss and pine, I was empowered, eager, excited. I was different from the fretful woman who would watch through the peephole before going out.

For me, the forest was my workspace and sanctuary. It was more my home than the apartment I’d return to. The forest inspired me, it nourished my exhausted soul, and, of course, it provided hope. It always provided hope.

The forest and its expanse thrilled me. I’d almost always go alone, but on the odd occasion I could show a friend my favourite haunts, I’d be giddy as a child on their birthday.

I took my camera with me most days, and while I mainly created self-portraits, I’d sometimes have a companion to shoot with. In this photo, my friend Martina is captured on a darkening autumn afternoon. Sometime after I shared it online, the Swedish-based artist Alessia Brusco @skogens.rymd.art – who I’d recently struck up a friendship with – contacted me to ask if she could recreate it in a painting.

She recreated this photo, too.

I still remember the day I took this shot and how delightedly I drank up that sunlight and then watched, rooted to the path, as the sun blazed down behind the trees and the evening crept in from all directions.